by Mem Fox & illustrated by Nicholas Wilton ‧ RELEASE DATE: March 1, 1996
The battle of the birds makes clear that the origins of a conflict may be absurd compared to the ravages of war. The peacocks and the swans share the same pond peacefully, until the differences between them create tension. When the peacocks note that swans can swim and fly, they irrationally fear that they might be forced to swim and fly, too, and prepare to defend themselves. The swans hear the peacocks' talk of fighting and become frightened enough to develop their own tools of war. When a swan flying overhead is mistaken for an aggressor, the war, once launched, lasts until every bird is dead. Fox (Sophie, 1994, etc.) offers an optimistic ending: The next generation of swan and peacock hatchlings note their similarities instead of differences. Wilton's first children's book shimmers with jewel tones, portraying both the elegant coloring of the peacocks and the misty, backlit shades of white in the swans' feathers. The obvious parallel to violence in the human world is fodder for classroom discussion, but the work is much more than its message. In its antique, folktale look, and in the descriptions of the birds' subtle shifts toward antagonism, the book turns Fox into a contemporary Aesop and aptly demonstrates that the roots of war can thrive in a pond of gossip. (Picture book/folklore. 5-8)
Pub Date: March 1, 1996
ISBN: 0-15-200473-4
Page Count: 36
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
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by Mem Fox ; illustrated by Linda Davick
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adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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by Megan McDonald & illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 13, 2012
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Megan McDonald ; illustrated by Peter H. Reynolds
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